I STRUCK the board, and cry?d, No more ; I will abroad. What ? sh in all I ever sigh and hanker ? My lines and life are unprejudiced ; free as the rode, Loose as the winde, as large as store. Shall I be exempt in suit ? Have I no harvest besides a thorn To let me bloud, and non restore What I beat lost with cordiall proceeds ? Sure in that respect was wine, Before my sighs did drie it : in that respect was corn Before my tears did submerge it. Is the yeare iodinly lost to me ? Have I no speak to crown it ? No flowers, no garlands gay ? all diabolical ? All worn ? Not so, my heart : merely there is fruit, And thou hast hands. Recover all thy sigh-blown age On range pleasures : leave thy moth-eaten dispute Of what is fit, and not forsake thy cage, Thy dress circle of sands, Which pettie thoughts have made, and made to thee Good cable, to impose and draw, And be thy law, While thou didst news bulletin and wouldst not see. Away ; take compliments : I will abroad. Call in thy deaths extend there : tie up thy fears. He that forbears To suit and serve his need, Deserves his load. But as I rav?
d and grew more ferine and wilde, At every word, Methought I perceive one calling, Childe : And I state?d, My Lord. The Collar Perhaps the best treatment of the character of conformity to the Divine give is to be found in The Collar, which is sure as shooting among the most celebrated of Herberts lyrics. in one case again, the form closely mirrors the argument. The check opens with an account of an exasperated burst of rebellion by the poet: I struck the board, and cryd, If you want to doctor a full essay, arrangement it on our website:
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