Tatlong Taong Walang Diyos

tatlong taong walang diyos (three years with break god) The film, set during the Japanese Occupation of the Philippines between 1942 and 1944, tells the story of Rosario (Nora Aunor), a young schoolteacher engaged to be married to Crispin (Bembol Roco). Crispin leaves Rosario to fight the Japanese as a guerilla, and in his absence a Japanese-Filipino officer named Masugi (Christopher de Leon) rapes her.Masugi later returns to Rosario apologizing for his act, boot gifts of canned food and rice which Rosario at first refuses. Matters are perplex when Rosarios father Mang Andoy (Mario Escudero) is arrested by the Japanese and Rosario reveals to Masugi that she is pregnant. Rosario must make a prime(prenominal) accept Masugis proposal to make her his wife (saving her father and ensuring a risk-free and stable life for her child), or reject him and with him the baby they down conceived together. n the form of a blind man lighting a cadmium for himself and his palsied brother. The bl ind man carefully picks up the child, and makes his way out the church just when a procession, complete with hundreds of candles and heavily costumed wooden saints, marches in. The symbolism is somewhat obvioustrue faith walks softly out the door, while pomp and pageantry make a grand, insignificant entrance.But the entire wordless scene is so quietly understated, so beautifully shot and stageda perfect example of the purest cinemathat it literally takes your breath away. Yes, Crispin, there is a Godonly he could have inspired OHara to shoot a scene like that. ipinapakita ng gumawa ng pelikulang ito kung gaano kahina ang mga pilipino sa panahon ng kahirapan at pag papahirap ng mga dayuhan sa ating bansa. sinasabi ng pelikulang ito na dapat maniwala lalo tayo sa diyos upang tayoy matulungan niya sa panahong tayo ay nahihirapan.